antonio hernandez they call us monsters

Granted time should be done, but if prison is for rehabilitation and you give a sixteen-year-old 40 years to life, after 10 years hes truly changed, you still keep him inside. As the screenwriting classes progress, Jarad, Anthony, and Juan become close, and they develop a bond with the screenwriting teacher. There are many that we will not be able to save. The Center aims to discover new ways to produce financially sustainable, high quality and ethically sound journalism via applied research, collaborations and advancing innovative projects. After watching the documentary They Call Us Monsters at the University of Redlands Orton Center last Thursday, I was left with these questions. The documentary might gain from longer-term or return treatment, particularly now that a California bill offering early parole hearings, under consideration for much of the films running time (and shown passing in 2013), has taken effect. To their advocates, they're kids. As the Fair Sentencing For Youth organization puts it, the law holds young people responsible for the crimes they committed, but it recognizes that youth are different from adults and gives them a chance to demonstrate remorse and rehabilitation. Back in 2013, California was debating whether to give teenagers who committed violent crimes a second chance. At times Jarad, who faces 200 years for four attempted murders, demonstrates an almost dissociative denial that borders on sociopathic. (SB 260 calls this diminished culpability.). And thats part of what I think works so well with these art programs. They Call Us Monsters. Juan and Jarad were 16 when they were arrested; Antonio was 14. As any parent, teacher or person who has worked with teens will tell you, teenagers are impulsive. Juans older brother drew him into gang life as a child in their native El Salvador, before they moved to California. Lear, who released Lillian as an album, partnered with Plastic Pollution Coalition and 4Gyres to raise awareness for plastic pollution. To others, they're . To their victims, they're monsters. "They Call Us Monsters," a film by Norman Lear's son Ben Lear, was released earlier this year and became available on Netflix in late May. The documentary "They Call Us Monsters", takes inside a segregated unit for juveniles being tried as adults in Sylmar Juvenile Hall and introduces to three teenagers awaiting trial where they spend their days and nights waiting to learn their fate for their violent and gang related crimes. Juan:I find screenwriting and filmmaking very interesting, [e]specially for the power you can have of telling a story and raising awareness about certain topics. StarringJarad Nava Juan Gamez Antonio Hernandez Darrell Edwards Allegra Acosta Joel Anderson Richard Bloom Nate Corddry If they weren't waiting for a trial for a crime they committed, they appear to be typical American teenagers. . There is a delicate line between childhood and adulthood. L-R: Gabe Cowan (teacher/producer), Jarad, Antonio, Juan all look at footage from their film. This doc examines how minors are regarded in the justice system. The prison has a channel in which they play some of the new movies coming outso we watch about everything and anything that tells a good story. Lear was available for questions after the showing at Redlands. Later, he calls Abby and uses Los as a script to narrate the depth of his feelings. But by the end of the 10 weeks, Cowan says, they were all friends. Read more, Copyright 2023, Juvenile Justice Information Exchange. Watch They Call us Monsters 2016 full Movie free, download they call us monsters 2016. They are locked up in a separate guardhouse, where legal actions will be served on teenagers in the same way that they are served on adults. 7 talking about this. His story became one of the main themes in their film. You can see them hugging, you can see they felt a lot of success together, they went through a real experience together.. They Call Us Monsters. Antonio Hernandez is the second kid we learn about in the film. In fact, since the human brain isnt fully developed until the age of 25, teens are less likely to understand risk and consequences, less able to resist peer pressure, which is relevant in deciding the level of sentence to impose for a crime one commits at, say, 15. This is true for Juan as well, who has a 90-year sentence. Be more independent. We meet Jarad (arrested at 16), Antonio (at 14), and Juan (at 16) when theyre about to be tried, each facing 90 plus years in prison. Gilpin County Colorado Most Wanted. The University of Redlands does not discriminate on the basis of race, color, national origin, - Juvenile Justice News for People Who Care About Children and the Law, Juan Gamez, Antonio Hernandez and Jarad Nava are the youthful offenders at the heart of . Juvenile Justice Information Exchange Maybe it takes a lifetime., Lear, the son of television producer and liberal activist Norman Lear, was drawn to the issue after he was invited to sit in on one of the scriptwriting classes run by InsideOUT Writers, a Los Angeles-based organization that teaches creative writing to kids in juvenile lockups. SB 260 may have finally passed in California, as well as Prop 57, but most states still impose juvenile life sentences with no chance of parole. While in the courthouse representing himself for the hearing about her murder, he asked the judge if he could use the law . Ones kicking himself over an unrequited lifelong crush. They Call Us Monsters. Make sure to cite all the sources properly and rewrite direct quotations in your own words to decrease the level of plagiarism in your paper. , Scott Budnick (The Hangover) who executive produced the They Call Us Monsters as a labor of love. As a 16-year-old boy facing 90 years to life for first-degree murder, he seems to float somewhere above or below this fact, as do Antonio Hernandez and Jarad Nava, the other teenage boys awaiting similar sentences in Ben Lears moving documentary, They Call Us Monsters, a film that connects a 20-week screenwriting class inside Sylmar, a segregated unit for juveniles being tried as adults, with the passing of SB 260, legislation that grants youth serving life sentences the possibility of parole. We see excerpts from the result. A part of PBS, America's Home for Documentaries. Ya disponible en todas las plataformas digitales junto, as de esta manera fue llevado ala justicia y ser presentado ante los tribunales con el fin de que pague con crcel todos los crmenes cometidos/los angelitos que no hacen nada. Crime Meet Juan, Jarad, and Antonio, all in their teens, all facing decades in prison. Juan:Man, theres so many things the audience dont get to see, especially the fact that Im grown now. Jarad:No because for one police officers manipulate juveniles through coercion to admit to information that they may actually be innocent of. Im a believer in the parole process, Lear says. His answer Yes, but inside the jail is another jail articulates the Sartre-esqe morass of life inside a broken system, as do the ubiquitous signs on the walls that read "NO! Roxanne - Instrumental - Califa Azul. 5 Heartbreaking Facts From They Call Us Monsters Doc on Latino Teens Facing Life in Jail. I must say God is good despite where I came from, God has me living in the now looking forward and learning from the past. Antonio has since re-offended. Juan:Yeah, Jarad and I were tripping out on how many times we came out shaking hands. I cant think of anything specific other than Im grateful so many people have embrace[d] our story and joined the prison reform movement (one way or the other). [1] The teenagers participate in a screenwriting class at Barry J. Nidorf Juvenile Hall in Los Angeles, California with producer Gabriel Cowan. Of the three young men it follows, Antonio faces 90 years to life for two attempted murders committed just after he turned 14. And in 2016, state voters approved a ballot measure that takes the decision on whether a teen should stand trial as an adult away from prosecutors and puts it in the hands of a juvenile court judge. Wait for a couple of seconds to let the tool find matching parts. Because the prisoners became so vulnerable, I felt connected to them and their raw humanity in a way I did not expect given their crimes. This scene makes it into the final documentary, in which Learbraids together footage from the class with clips from the fictional film that the teens wrote. The teenage girl Jarad shot is paralyzed and in a wheelchair. This means these kids could get a second chance. Legislators debate legislation that allows for adult charges for juvenile offenders. that, according to Budnick, Cowan, Lear and other prison-reform policy advocates, differentiates the young person from the adult. The first individual we come across is Antonio, who was arrested at the age of 14-years-old. This is true for Juan as well, who has a 90-year sentence. It is true that they are children but they commited adult and serious crimes. However, he re-entered prison after being tried as an adult for two robberies. Want to know more about this blog or how to get into contact with us? Juvenile court judges had made that decision. with lengthy sentences, regardless of the fact that, as adolescents, they have no ability to see beyond the orbit of their own experience. For Lear, who now sits on the InsideOUT Writers advisory board, the shift has been heartening. were being prosecuted in adult courts every year, according to the Campaign for Youth Justice, which opposes the practice. By 2010, about. All three lads are aged 14 to 16 and are filmed living in Californian . As they note on their site, the mission of InsideOUT Writers is to reduce the juvenile recidivism rate by providing a range of services that evolves to meet the needs of currently and formerly incarcerated youth and young adults. Not only do they offer creative writing classes to offer these young people the knowledge and skills necessary to successfully re-join the community, but they have instituted an Alumni program that supports former students upon their release. Antonio Hernandez is known for Los (2015) and They Call Us Monsters (2016). If I learned one thing about myself Id say it is that the camera loves me. The Film. Was there anything that tripped you out or that you learned about yourself after watching the movie? Advertising revenues across the media are falling fast. You see this same willful blindness in the PBS documentary They Call Us Monsters. They Call Us Monsters goes behind the walls of the Compound, a high-security facility where Los Angeles houses its most violent juvenile criminals, to follow three young offenders who sign up to take a screenwriting class with producer Gabe Cowan as they await their respective trials. It hit home because I grew up with a lot of Download a copy of Jarad Navas complete handwritten letter.

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